helnwein archive

"This was the moment when I sensed for the first time," Helnwein has since written, "[that] you can change something with aesthetics, you can get things moving in a very subtle way, you can get even the powerful and strong to slide and totter, anything actually if you know the weak points and tap at them ever so gently by aesthetic means." For the following three-and-a-half decades he has relentlessly pursued that goal, masterfully incorporating everything from painting to performance to photography, regularly causing art world outcry and public fury. Yet as his knockout exhibition at Modernism last October made clear, his art is successful less for its evident tendency to provoke than for its extraordinary ability to perplex.

To help promote their controversial film, "Rules of Attraction", writer/director Roger Avary and producer Greg Shapiro contracted artist Gottfried Helnwein to create an image for the poster. Helnwein chose to recreate a scene where a girl commits suicide and Lauren (Shannyn Sossamon) discovers her body. In the studio shot, it almost looks like Sossamon is kissing the dead girl.
Since the suicide is a wrist slitting in the bathtub, the girl is nude and therefore the shot couldn't be used for wide release posters. The one you see displayed in theaters features stuffed animals in compromising positions, but Helnwein's poster did make it onto the soundtrack CD and other outlets. Helnwein himself spoke with Madblast about his work.

Tamara joins Arnold Schwarzenegger to party with the art
Some of his work is disturbing to say the least, and has been described as "the visual equivalent of a contact sport". He uses art as a way to fight back at society, his pictures forcing people to face things they might prefer to forget about.
Children feature heavily, as do bandages and chilling images from the wartime era. All very challanging, yet fascinating.

"This is a very serious and somewhat disturbing exhibition," said Mayor Meralee Goldman, who is supportive of the exhibit and was first approached by the Austrian artist.
"There is an important component of education to go along with this exhibit," Human Relations Director Mary O'Gorman said. "This is a Holocaust Memorial, and the intent at times is to overwhelm."
The exhibit is described as "an art event to focus the conscience of the viewer and, through media exposure, the conscience of the widest possible public" by the artist's draft proposal. "An art installation a city block long...will rise into public view to cry out against not only one of history's most tragic and horrific episodes of prejudice, but also against the current resurgence of the endangerment of children through intolerance around the world."

'The Portrait Obscured," the current exhibit at the San Jose Institute of Contemporary Art, where 19 artists have all but forgone the portrait entirely in their pursuit of it.
The exhibit's signature pieces are two paintings by the Austrian painter Gottfried Helnwein.
A bit of perceptual sleight of hand, two seemingly blue-black canvases on close inspection reveal portraits of John Lennon and Bruce Lee.
Portraits obscured, to be sure, and perhaps a meditation on how unknowable are the famous by their famous faces.

The point of the images is that they put it up to you as a viewer. Given that, one potential line of criticism is that they are designed solely to be provocative, like Marcus Harvey's portrait of Myra Hindley. But the abiding strength of Helnwein's work is that provocation is a means rather than an end; it is - however uncomfortable - morally grounded, if not necessarily in a way that will please all observers.

Gardaí [the Irish police] are investigating attacks on two images by the controversial Austrian artist, Gottfried Helnwein, displayed as part of the Kilkenny Arts Festival.

The canvases showing images from the Nazi era just left them confused, but the throngs who visited Kilkenny during the weekend snapped away with their cameras all the same.

The disturbing Work of Helnwein comes to Ireland Helnwein is a headline artist who works in tight sound bites on a very large scale. The works brand themselves with proof of his technical know-how in various media and are endorsed by the coolest celebrities of his generation. So much for the cover-story, so what lies within? Headlines lure you into stories that make you want to cry, smile or help to change the world. But when they stop at your own skin, you can get a sinking feeling, a sense of the bigness and badness outside and the impossibility of change.

While it is a painting, Epiphany is typical in its almost interchangeable use of photography and painting: both played their part in the achievement of the eventual, quasi-photographic image. He is a fine photographer, and his photographic portraits of Kilkenny children (enlarged to an enormous scale) form one strand of his festival exhibitions. The careful adaptation of existing imagery is another trait, and his references extend back through fine art history as well as history itself...